The Serpent and Hood IV: The Band
"Because it would be totally rock and roll!"
"Bert, you know that answer is total shit."
"Rochel, that answer was totally in character."
"Pffff. Wanker. Well, we can do a lot better than that..."
"You mean telling the whole story of The Sex Freaks?"
"And how we became the Serpent and Hood Houseband, yeah."
"Right. Well, this all took place in like, early days for the old S&H. They were doing okay and were super busy on the weekends when the college transformation crowd would descend on the bar to drink and dance or whatever. But things were pretty quiet during the week, though, when most of the clients were some local transformees and their townie friends who'd come here to hang out and maybe hook up. So Robin and Petra, the owners here, were looking for something to get more people at the bar during the week."
"The breakthrough idea came when their first waitress, Emma, decided to get transformed in front of the bar. It was a Wednesday or something, and a blushing Emma, who is such a doll, has been telling everyone about it so that when the day came, the bar was packed. Robin and Petra had pushed a bunch of tables together and an adorably nervous and excited Emma had used them as a stage to get changed."
"Oh man! And she totally fainted after getting her face moved to her crotch, growing a tongue dick, and having her neck bloom in a giant cunt."
"Ha! And the next time we saw the dear later that night she had gotten her new dick stuck, because it had a knot, in Robin's twat! She had to spend the rest of the night stuck in her boss while they both tried to tend bar! Seriously hilarious."
"Classic, S&H! But anyway, Robin and Petra figured out that maybe holding events a couple times during the week would help get people into the bar and make it a more fun place to work."
"Now, holding a transformation every week wasn't realistic."
"The town isn't fucking Jizza, right?"
"But Petra thought that they could build a stage and maybe use that as a way to trump up patrons."
"She did exotic dance her way through college."
"So they built a raised stage along one side of the bar. Just a simple raised section so they could put tables on it when it wasn't in use or use it as a dance floor on the weekends. They did put a pair of brass poles in at the corners though."
"So the first thing they did was start holding burlesque shows once a week. It was open to anyone, I mean, you had to audition for Petra to show that you were okay at it. But human or transformed, if you had skills they'd put you on the stage."
"At first it was mostly Petra putting on a show, sinuously winding around the poles, beautifully writhing her hair tentacles, just generally being graceful and sexy. Soon enough she had gotten Emma onto the stage, rubbing her face on the pole, using her four hands and inherent flexibility to do some impressive poses. They even got Windsor, their new second waitress, a four breasted, uddered cowgirl..."
"By birth if you believe it!"
"..up on the stage. Just Petra drew a crowd, and soon lots of people wanted to try it. And the more people who tried it, the more people who showed up for burlesque night. Soon the place was packed with excited participants, there friends, curious people who wanted to see Petra and the transformed dance, and just townies and college kids bored on a week night. It was fun."
"Rochelle totally danced."
"Fuck right I did. I was marvellous!"
"You were alright."
"Wanker."
"So. Enjoying the success of that Robin and Petra decided that it might be fun to use their stage to have an indy band night. Maybe invite some college bands down to the S&H for some shows and have some fun. The logic being that the bar was already a popular college hangout and that bands would bring friends and a scene and catch the same bored folks as the burlesque show. Which is really where our story begins."
"While Bert and I were already hanging out at the S&H before this, being college kids looking for something to do and having this crazy bar in the neighbourhood, it took the band night to really get our friends in here and set us off down the path to well, the way we are."
"For sure. So at this point Roche and I had been dating for a few months, hanging out at the bar, taking classes, and dumping every spare moment into our band: The Technicolour Fellatio."
"I can't believe we used that name..."
"Fucking brilliant name. Anyway, I was on lead guitar, Roche was playing bass, our friend Blaine was doing vocals, Meg was our drummer chick, and her boyfriend Tim was playing any other instrument we needed, mostly synths and the odd horn bit. And things were going okay: like, I know the strereotype about the slacker college band but we were seriously doing quite well. We'd written a bunch of songs, were playing gigs around town and the city, we were getting a little radio play, and we even had managed record our first album."
"It was admittedly a little rough."
"I prefer to think of it as visceral."
"You see what I have to deal with? Well, the one thing we needed was more practice, and there is no better practice than the live fire exercise of a live show. So we were constantly trying to get a set at the S&H's bad night. Between all of the shows we were playing and all the shows we came to, to see our friends play, we were here basically every week. Add in the burlesque shows and maybe some clubbing on the weekends and I swear we were here more than most of our classes."
"We were all here on Buresque night hanging out talking about our gig the night before and musing about what it would take for us to reach the next level while we watched Petra coil and slither around the stage. Tim thought things were developing nicely, but Meg was pissed that, as good as we were, we weren't gaining traction the she wanted us to. Blaine was convinced that we had the talent, but that what we really needed was to get a hook, some sort of gimmick."
"His argument boiled down to the fact that while were talented, so was a boat load of other people, and that what it takes to get noticed is doing something different, something crazy. And once you get noticed, then people will see how good you are. We just had to come up with the right thing."
"And that's when that waitress Emma said the thing that would change everything."
"Why don't you get transformed."
"It was mad!"
"Preposterous!"
"But maybe the kind of daring idea we needed..."
"Brilliant even!"
"We were pretty conflicted with the idea. It would be a lifestyle change, it would mean going all in."
"And what if things went wrong? We didn't want to be a stupid novelty band, we were serious musicians. What if we couldn't play instruments anymore."
"Well, Emma had an answer for that too. Why didn't we design bodies to specifically make ourselves better musicians?"
"Blaine had an idea one better: why don't we make our bodies into our instruments?"
"And so we argued about it. The merits of the idea, the drawbacks. Whether becoming sex monsters was a thing we could do to ourselves. Was it something we wanted? Wouldn't it be sexy? Would the plan even work? Could some of us do it? No, no we all had to do it together or not do it at all."
"As things are getting more heated around the table, Petra is finishing her set and slithering off the stage. Windsor who was MCing the evening Mooed for attention and told us the next act was by a pair of women named Christy and Cara. We shut up for a minute, and watched as onto stage crawled this weirdly conjoined pair of women. They had apparently fused together in a 69-sex position, such that each of their faces was now the other woman’s crotch and pussy..."
"Kind of like Emma, but with mouths that doubled as pussies instead of a cock..."
"Yeah, but their hips were joined through their lower torsos at like, a 180 degree twist so that on all fours one side of them was kneeling with one womans face pointed at the floor and the other feet were pointed forward in a kind of a crab squat with that womans crotch-face pointed upwards. It's kind of hard to explain."
"They also had this giant masses of breasts and labia on either side, top and bottom, of the middle of their body, kind of like a big fleshy flower, with a giant tentacle like clit."
"Well the pair crawl onto stage and push off, balancing on one set of their feet, while the other set artfully arrange themselves in the air like a dancer in a lift or a synchronized swimmer. They gracefully sweep across the stage like this, their breast flowers bobbing obscenely, and their clit-tentacles lashing the air."
"The room starts to fill with this smell, distinctly floral but also super cunty."
"The conjoined woman reaches one of the poles loops her upper legs around it, and then her lower and swings herself around it. Somehow, in the process of undulating on the pole, the women trade orientations, and now they are standing on their opposite feet while the other feet gracefully sweep the air."
"Meanwhile the smell in the room is getting thicker and thicker. I feel myself getting a little lightheaded and hot but also super calm."
"The conjoined women make their way across the stage, their clit tentacles brushing against the patrons closest to the stage, to the second pole and executes another convoluted set of manoeuvres that again manage to be beautiful and somehow flip the women back over."
"We're all feeling super high at this point. And weirdly horny. I was giddy and was definitely sporting a boner under the table. And I could see that Rochelle was soaking through her jeans."
"I was not! But I was pretty aroused. Anyway, this time the women perform a bunch of forward and backward flips across the stage flipping their orientation, their breast flowers flapping wildly, until suddenly with amazing slow grace the bottom set of legs dips into side-to-side splits while the top legs do forward back splits finishing the act."
"The room goes wild with applause, and you could see everywhere that people were heaving and flushed. Cocks strained trousers, and on a couple young shemales, tented skirts. Nipples stabbed out of dresses and, while you mostly couldn't see it, panties were moist with juices."
"Christ, we're a bit moist just thinking about it."
"And in that moment we look at each other, and we just know, giddy and aroused as we are..."
"That we have to do this."
"Of course, then came the trouble of how to go about getting changed."
"We didn't want anything random, which meant using a good alchemist."
"And the changes we wanted weren't exactly the normal grow a cock or some sweet new tits."
"Which meant it was going to be even more expensive..."
"And we wanted the changes to be totally awesome, since they'd be our look from then on."
"Fortunately, darling Emma suggested we talk to Petra. Petra, who liked our band, loved the idea and she could get us in touch with a great alchemist who owed her some favours and a body stylist, just starting out, to help us design our perfect bodies."
"But it would cost us: we would have to get changed on stage..."
"...and once we changed we would be the Serpent and Hood's houseband when we weren't touring or otherwise."
"So fucking of course we agreed."
"And then it was a whirlwind of activity. Introductions to Wendy, this armless giant with four legs and impressive amount of sex organs, who is a bigshot at some major alchemist shop in the city who agreed to do this for free as a favour to Robin and Petra and with the understanding that if we were any good that we would play events for her in the future."
"Which given that a gigs a gig, and Wendy would still pay us, we were okay with"
"That settled we introduced to Breanne, this ex-model who was changed into a kind of lady with a built in dress made of tentacles who wanted to make it as a body designer or fashion designer for transformed. She was just starting out, and was having trouble making a name for herself, but was willing to take us on for free for some exposure."
"Which we approved of."
"Before we can blink..."
"Roche is a slow blinker."
"Don't be cute. I had a rhythm. Before we can blink it's the night of the show and the bar is absolutely packed."
"More packed than we had ever seen it. So packed that it had to be violation of the fire code."
"Breanne had asked Saffron, a model friend of hers who was also a singer, who had changed during the same fashion show as Breanne into a kind of fusion between a flapper dressed girl and a giant cock. She had a dick glans on her head like a hat, an armless torso covered in pink aerolae tissue and hundreds of long hanging nipple tassles, and a long penis tipped serpent tail instead of legs. She was very beautiful and an amazing singer."
"Petra, who was, and I swear this, actually star struck and pleaded to be allowed on stage with her. Saffron graciously agreed to let Petra dance with her."
"To get into the act Petra had Robin bind her arms behind her, and hang tassles off her six cock-nipple piercings."
"So before we start Saffron sings a couple songs and dances on stage with Petra. The two cock serpent women wind around the stage, slither up and down the poles, and wrap around each other erotically as they perform."
"It was so fucking hot!"
"And, I swear this too, Petra and Saffron disappear right after their set and right up the stairs to Petra and Robins apartment to fuck. Just picture it, two long, beautiful women with penis serpent tails, wrapped around each other sweating and grinding in ecstasy until together they cry out and just blast the place with ropes of cum."
"In your dreams Bert."
"Roche, dear, who are you kidding. In your dreams too."
"Well, yeah."
"Anyway, suddenly it's time for the changes to start and we're on stage first."
"So picture it if you will a naked, pasty Bert all gangly and thin and nervous, standing next to a trembling, nude me, with my pretty average curves and figure, on stage suffering through the worst stage fright of our lives. Bert takes my hand..."
"Like a fucking gentleman"
"And the two us make our way to a small table with a pair of vials perched on it."
"We cheers our glassware, share one last, first kiss, and each drink."
"And then assume the position we were told by Wendy to, with me standing straight with my arms out to the side, and Bert standing behind me, with his arms out to the side and pressing his torso, and his erect cock, into my back."
"I was excited."
"So was I."
"I know, I remember."
"All of a sudden we can both feel it, the changes starting..."
"With a feeling like being a candle I feel myself start to sink into Rochelle: my torso, my legs, just about everything but my head and arms and cock. I felt a great weird squirming feeling until standing unsteadily on stage is basically Me and Rochelle's head sharing basically her body plus my arms and a very fetching new cock."
"And suddenly I know what a ragging erection feels like! I can feel myself, but also Bert as part of me, a new face, and arms, and his, no, our magnificent new cock. It was amazing!"
"And I suddenly had an aching, dripping cunt begging for attention, and modest breasts heaving on our panting chest. It was such a sexy mindfuck."
"Luckily I had the presence of mind to get ready for the next change. I felt our feet soften and begin to go waxxy so I stepped forward into the specially prepared four inch stiletto ankle boots made of solid steel we had prepared and sitting on the stage."
"We felt our melting feet flow into the boots and the posts and supports in the boots and then solidify, making the actually metal boots a permanent part of our body."
"Luckily I was a pro at heels, so I took control of our legs and steeled us for the next change. In a truly weird sensation, we felt our body stretch weirdly as it grew a second torso beneath our first, each torso getting one pair of our arms: Bert's on top, mine on the bottom. Also each torso had a pair of my tits. We were pleasantly stacked."
"Then we felt a leg thick, smooth, human flesh tail press out of our butt. It grew until it was long enough to touch the floor to provide our new taller body with some needed stability. The end of the tail swelled and became a sensitive dick tip."
"What's the point of sharing genitals with your lover if we couldn't fuck ourselves, yeah?"
"And then came the cosmetic changes. Our shared cock swelled and lengthened, my hair fell out except for an awesome mohawk crest, and I grew a pair of sweet devils horns."
"And my hair turned fluorescent pink, and I grew a sweet set of rams horns that curled out of the side of my skull. Then all of her finger nails turned black, lengthened and hardened becoming like built in guitar picks."
"But the most impressive change is what happened to our skin."
"Our whole body became milk white, but then grew black stripes."
"We looked, well look, a bit like a zebra."
"Except when music is playing..."
"Because then the stripes migrate across our body at the speed of the bass, and wiggle along their length to frequency of the treble."
"Our skin is basically a totally awesome oscilloscope."
"The changes slow and stop. We look at each other in the eye across our shared shoulders, our shared pussy hot and wet, our cock and cock-tail engorged and straining. I reach up my hands and feel my new, unfamiliar female torso and cup the pair of breasts there. Below them, Rochelle reaches down to fondle our cock. We kissed each other on the lips."
"Together we swing our cock tail below us and into our gaping cunt, and while I jerk off our cock for the first time, we fuck ourselves until we orgasm and come on stage unsteady on our heels. It was bloody magic."
"How is our body becoming an instrument?"
"Well we are the bands bassist and guitarist. This body gave us each our own, natural arms and torso to play our guitars with. And we thought, given the need to swap out guitars during a show that trying to make our bodies into electric guitars would be daft."
"Plus, what could be better than a guitarist and bassist who don't just have a feel for each other but can actually feel what each other is doing! We are the most intuitive, reactive string section in the world now."
"And we were in love and thought it would be magical to be together forever. Pretty dumb, yeah?"
"Shut up, Roche, you totally love me and being stuck to me."
"I do love you, wanker. And it's more like you're stuck to me."
"What do you mean?"
"Nice tits and cute butt, dolly."
"Thank you."
"Well with us out of the way Meg the drummer was next."
"Now, while we were serious about the band and being good at our instruments, Meg was serious, serious about music."
"Seriously serious!"
"And so she designed a form that would reflect this. So she walks, no, strides boldly onto the stage, naked, with her short blonde hair hanging around her eyes, small acup breasts, and ropey, muscular arms and legs on display. She gets to the end of the stage and just glares at the room for a moment, arms crossed."
"Meg does not fuck around."
"Satisfied that no one in the room is angling to give her shit, she picks her vial off the little table and flicks it back like a shot. She groans deeply and her eyes widen as her lips puff out, and gradually change their orientation from horizontal to vertical, merge with her nose which is morphing into a substantial clit, and suddenly her mouth is a fleshy cunt. Meg's face around it is bright red and her eyes are lidded in ecstasy."
"Meg and Tim felt pretty strongly about the whole living instrument thing, and Meg decided that she should be mute and have to communicate through her music. Plus she thought it would be totally hot to have a cunt face."
"Which she was totally right about!"
"So she is standing on stage, with her new pussy mouth flaring with her breath and shiney with arousal when the next change happens. She feels something in her hands and looks down and watches as her thumbs sink into her hands while each of her remaining fingers start to transform. First her fingernail swells weirdly, and grow around the circumference of her fingertips so that the last joint of each finger is covered in a thick, hard layer of keratin."
"It's pretty obvious that she has changed her fingers into drumsticks."
"Which is made way more obvious when her eight drumstick fingers elongate and extend weirdly while her arms swell, and lose their muscle definition and stretch too. As her arms looks less and less like arms, they suddenly splits into four drumstick tipped tentacles each that writhe in the air wildly like an orgasmic air-drumming octopus."
"While all of this is happening, other less obvious changes are rippling across Meg's body. First her hair falls out and then a pair of large antlers grow out of her bald forehead. Her skin turns milk white like ours did for a moment before a pattern of coin sized black polk-a-dots appear evenly all over her skin. Her feet lengthen weirdly, and her toes pull together forming a new pair of hooves in place of her feet. Her ears pull out and sweep back, becoming a pair of mobile cowlike ears. And, just as her arms are breaking into her eight new drumming tentacles, Meg grows a five foot long, thin, ropey tail that is capped by a fist sized fuzzy bulb."
"As soon as this round of changes stabilizes, Meg experimentally waggles her tail and tries to touch herself with her new tentacles, maybe probe her new mouth cunt, or her slightly swollen and dripping original pussy. But this is cut off as the next stage of her transformation sweeps through her body as a bunch of new nipples begin to sprout on her body."
"The first appears between her original two, small tits, and then two more sprout on her torso below them. Six more nipplessprout on her back in three rows of two and two appear on her sides, one just above either hip. Another four, slightly different looking nipples grow onto her stomach, below her navel and above her crotch. When the nipples stop appearing, Meg has a constellation of 19 nipples spread all over her body."
"And then Meg started to grow all of the tit flesh needed to accompany her new nipples. In a matter of minutes, Meg goes from being pretty flat chested to covered in breasts. She grows five C-cup breasts on her chest, and six c-cups on her back back. Her hips each become modest A-cup tits and the four nipples on her lower stomach now rest on a modest, vaguely bovine udder which hangs down onto her crotch."
"Meg has clearly been enjoying these changes, as she has spent the entire time ramming her drumstick tipped tentacles into her mouth and crotch twats and her butthole, clearly driving herself to orgasm on stage."
"Our cock was hard all over again. I was new to dick ownership, but I couldn't wait to plunge it into someone else."
"Who'd have thought my girlfriend would be a bigger horndog than me, eh?"
"You love it. Anyway, her changes finished, Meg, radiating sexual silent sexual satisfaction, decides to demonstrate the really special part of her new body. Sinking onto her knees with her tail drawn up between her legs and pressed against her udder, and then spreading her legs slightly so her butt can rest on the floor, Meg takes position on the stage. Then, audibly gasping through her cunt mouth Meg starts drawing air into her body. Her tits and udder start to swell all around her torso. And, as the tits grow, her nipples inflate and lengthen, becoming slightly upturned in the process. The breasts on her chest and back are soon gigantic o cup beasts while her hip breasts have swollen even bigger, maybe measuring an r or s cup. Her udder though, is truly giant, stretching from her kneeling lap like a breach ball. All of her nipples thrust from her tits like foot long thorns, tubular, upturned, and pointing at the ceiling. Soon Meg's face and tentacle arms are appearing from a mass of giant, inflated tits and nipples."
"And then Meg starts drumming. Her tail, looped under her body, begins to beat on her udder like a base drum with a kick pedal and the sound is that perfect, deep thump of her old kit."
"As she is experimenting with her bass udder-drum, the true nature of her skin change comes out too. It turns out all of those black pok-a-dots on her skin are actually bioluminescent, and flash with the vibration of her bass drum. So while Meg fills the room with a steady beat, she is also a sexy, strobing lightshow."
"Which is just so fucking cool! Next she starts to experimentally tap at her inflated breasts with her drumstick tentacles. Clearly she isn't super confident with her tentacles or configuration of breasts, but whenever she strikes a boob, a sound like a snare or tom tom drum fills the room. A bit of experimentation and it becomes obvious that the three tits across the top of Meg's chest are tuned as tom toms, while the lower two on her front torso sound like snare drums. Her hip tits sound like a pair of floor toms, while her back tits sound like a cluster of differently tuned toms."
"Meg starts to get the hang of it, and beats a few rhythms and takes a shot at an awkward first drum solo. It's awkward and a little clumsy, but with the eight drumsticks tentacles and tail, it sounds like nothing we've heard before. We go wild for her!"
"And so does everyone else!"
"Which gets Meg's attention and makes her realize where she is and whats she doing: playing a drum solo on her new mad tits in front of a packed house. She beats a drumroll on her tom tom tits, her tits sparkling with light to the softer vibration of her breasts, and suddenly deflated her tits to their still busty resting form, stood, and clopping on her hooves, raced off the stage to embrace us in a tentacley hug."
"And because Roche has no self control, we jab our friend with a raging boner."
"What? We were naked and had a busty, multi-breasted cowgirl-drumset girl pressing her tits against us and breathing on her faces with her aroused cunt breath."
"Amateur."
"Meg was into it."
"Anyway, just as an aside, in the weeks after changing Meg made some non-alchemical changes to her form to make it better. For one she pierced her long, cowlike ears and hung them with chimes that she could ring by flicking her ears. Meg also got all of her breast nipples pierced with special studs that she could, when her nipples were fully inflated and extended, use to hang cymbals on her body. She also started to use her antlers to hang her biggest cymbals and a variety of bells and chimes and triangles."
"She also took to wearing a cowbell, because it was sexy as fuck and because who doesn't like some cowbell in their music, yeah?"
"And finally, in big block letters, she had "The Sex Freaks" tatood across her udder, like a bass drum head logo!"
"It was the coolest!"
"Oh and she communicates now by tapping out morse code on her tit-drums or, if they are deflated, on her ear chimes."
"Meg is really the best!"
"Roche has a total crush."
"It's hardly a crush, I mean we are dating her..."
"And that's totally getting ahead of the story!"
"Right, sorry."
"Since next on stage was Meg's then boyfriend Tim."
"So Tim was kind of a weird guy. I mean, he was incredibly talented as a musician: he could play almost any instrument you handed him and, with his music major, he was probably the only one of us with a theoretical understanding of music."
"Couldn't sing worth a damn though."
"No, and he was never very good with the attention of being on stage. Which is what made it so weird when he boldly strutted his slightly chubby, hairy body and wild fro of hair, onto and down the stage like he owned it."
"He gets to the end of the table, grabs his vial and sucks it down. And right away the changes start."
"The first thing that happens is all of his hair, body, head, whatever, falls out. His skin turns a matte black that's hard to see in the dark and takes on a rough, kind of rubbery quality."
"Basically his skin grew into a kind of stealth, sound dampening coating."
"Next his nose and mouth grew together and pushed out of his face as a trunk or probiscus that ended in a mouth-like opening and had a series if grooved, nostril like ridges down it's back."
"It was hard to tell in the moment, but what he did was grow a built in horn and woodwind instrument into his face. His new mouth could change shape and mimic the tooting of a variety of instruments, and by changing the size and length of his trunk and using different subsets of the valve sphincter on the trunk, Tim could play all kinds of different songs with it. But like meg, he have up the ability to talk."
"Next Tims eyes grew bulbous, and multifaceted and migrated to the sides of his head."
"Giving the guy a 360 view of the room."
"And looking so creepy. Ugh. Next his legs fused together and everything below his belly button started to swell and merge into this toroid, pear shape. It looked like his upper torso and head were emerging from a big fleshy egg. Tim kind of teetered on his base for a moment before three, equidistant stubby little legs grew in, three two foot long, pachyderm looking limbs that he could use for stability or to slowly convey his bulk."
"We later found out that this weird torso change was designed to change the layout of his internal organs, letting him massively increase his lung capacity for music making. His lungs also changed to become bird like, to grow those airsack things so that he can always be moving air through his horn-nose."
"He actually grew some gill like air slits on his cheeks at this point to help draw more air into his weird new bellows."
"Tim thought this shit out."
"Next he grew two more pairs of arms out of his upper torso, space around him in a circle to match his equidistant legs. It looked a lot like his body was equally semetrical in each direction."
"This of course was done so he could play three instruments at once with his hands. A whole bay of synths or keyboards or a soundboard in every direction."
"And then came his final change, between each of his arms and each pair of arms he grew a large, weirdly spherical breast. Six in total. But instead if nipples, each tit had a weird sphincter like aperture."
"These apertures, it turns out, are special sound making organs of his design that can create flat tones when the muscles in his tits forced air through them. They are kind of nasty, but pretty cool."
"His change finished, he waddles unsteadily and plays a joyful melody through his trumpet nose and and plays a rich soundscape of tones through his breasts."
"We can't tell, because the fucker has no human face left, but he sounds pretty happy. Or I guess I should say it, since in the process of transforming Tim made itself into a neuter, completely removing the distraction of genitals from its body."
"Poor meg is traumatized by this. She thought Tim and her would become erotic, living instruments together and make beautiful love and music together. Instead he goes and makes himself into a sexless alien. She is super pissed off."
"Well, it doesn't make itself completely sexless. What Tim did was make the internal surface of its horn trunk into a giant diffuse clit so that when it plays music with it the vibrations give it sexual pleasure and orgasmic bliss. And its nipple-sound-apertures work the same way: giving pleasure for sounds made. So Tim can still enjoy sex, just not with other people."
"It makes love to music not Meg. Which drives her from his many arms..."
"And into our bed."
"Which is why Meg now lives with us in the apartment we rent above the bar from robin and Petra and why Tim now spends it's time in the dark studio we built in the basement alone. And let me tell you, Meg is one wonderfully, passionate multitbreasted tentacle woman. Her change really awakened a burning sexual appetite in her. We love her so much."
"Roche, also loves sticking Meg's cunts with our cock."
"Well yeah, that too. And you love when she gets her tentacles all up in our business."
"Guilty!"
"Tim still is an incredible talent and an ace producer."
"Plus it's hard to stay mad at someone who doesn't really have emotions like a person anymore. It's like being angry at a piece of sound equipment."
"So despite all the shifting, we and Meg are pretty happy and Tim seems content."
"We think."
"Anyway, Tim scrabbled off the stage and Blaine makes his entrance to change."
"So Blaine was always a stereotypical frontman. He was loud and brash and a consumate showman. He was a so-so singer, but he had all the swagger of the greats."
"When we decided that altering ourselves was how to improve the band he got really into it. He spent hours, longer than the rest of us, with Breanne designing the ideal rockstar body that would also overcome his shortcomings as a singer."
"So Blaine was super excited to be on stage for his change. He jumped up onto the stage, waving for applause, calling for love and attention. He skipped down the stage, and standing one leg up, brandishing his dick and showing off his lean, toned body to the crowd thanked Robin and Petra for hosting the event, Wendy and her company for the potions, and Breanne for her help and judgement for our bodies. He led a round of applause, winked and picked up his vial."
"Whipping up a chant of "drink it!", Blaine shouts "Rock and roll!" and pounds his vial."
"And changes begin to race through his body. First his skin turns metallic, reflective gold and then his hair turns shiny black and cascades down his back in thick ringlets. Next he grows a thick hairy crest of fur around his shoulders that tapers down the centre of his chest in a thick curly patch."
"Next he starts to grow his rock and roll additions. First his toes pull together as his feet grow a shiny, silver hoof like cover before his feet push off the ground in a half foot tall built in platforms. He next grows silver bone spikes out of his shoulders and knees and ankles, and a ring of shorter spikes out of his neck. Then, from his forehead erupted a massive foot long rhino horn made out of the shame shiney material."
"Next his body went through a battery of cosmetic changes to fulfill Blaine's ideas about the ideal mix of rockstar sex attributes. First he grew four massive tits on his torso, each tipped with a silver nipple. His already taught stomach became ripped with some almost grotesquely taught abs. His hips widened, his ass swelled, and his legs grew softer, longer, and more feminine. Blaine grew some serious gams. Next his dick lengthened substantially. Now, it didn't get wider, just longer so that he had a penis of human girth that was four feet long and hung almost down to his ankles. Then his balls swelled becoming the size of large fruit."
"Looking like a shiney, shemale sex goddess Blaine begins the stage of his changes designed to make him a better singer. First his ears surge out of the side of his head, becoming massive and batlike, flicking around the room chasing sounds. Then his face melted into itself, becoming a featureless blank palette of skin: no eyes, no nose, no mouth. This last only a moment as five red lumps appear on his face. The lumps stretch and swell, and soon the entirety of Blaine's face is taken up by five pairs of lips. The two on the top portion of his face were stubbly and masculine, with moustache eyebrows, while another two smallish ones located on his former chin are swollen and feminine. In the middle of Blaine's new face is a truly massive female mouth with ludicrously swollen lips. As soon as the mouths appear, they all start moaning and groaning in pleasure with radically different voices."
"Basically Blaine remade his face so that he could have a wide vocal range of voices. The two male mouths gave him the ability to sing songs as a man or men in two part harmony. Both mouths had slightly different vocal ranges with one male mouth being able to rumble a deep bass to a clear bartione while the other male mouth could rock a tenor up to a high countertenor. The two smaller female voices has a similar arrangement, being designed to provide a range of female voices in a dynamic range. One mouth could sing from an alto to a meso-soprano while the other mouth could manage a high meso-soprano to a truly clarion soprano. The huge central mouth had a throaty, purring contralto voice that oozed power and sexuality that was this ideal of a semi-androgenous female rock vocalist."
"Suddenly our lead singer could hit the highest notes of an opera and the deepest sections of male quartet and could harmonize all over the vocal range."
"He, or well they, since Blaine was now proudly androgenous and maybe plural.... anyway, they could also sing duets or group songs all by themself."
"And beautifully too. Blaine gave themself some really amazing voices."
"Which opened up a whole new repertoire of songs we could perform as a group. It was cool."
"And Blaine was still not done. They held their arms out to their side and we saw changes sweep through them too. First their thumbs and first two fingers grew webbing and elongated dramatically. Next their arms each split into three, one section with the three webbed fingers and the other two sections each with one of the other fingers. The webbed finger limbs shifted shape and grew great flaps of skin and migrated back onto Blaine's shoulders where it became obvious that they were ornamental small batwings. Meanwhile their other four new limbs continued to change. Each limb stretched out into a long flexible tentacle that ended in a pair of luxurious feminine lips."
"Blaine, not satisfied with their new incredible vocal range had engineered his body to include four backup singer tentacles that had serious pipes."
"Blaine had made themself into a whole vocal section on a caricature of a hypersexualized rockstar."
"Blaine's physical changes also caused what I think are a bunch of unforeseen mental changes. For one, their brain rewired itself so that they can see by echolocation to make up for their lack of eyes."
"Blaine also seems to have experienced a fracture in personality. It really seems like each voice has its own personality that only gets stronger over time."
"And I swear, we can hear Blaine talking to themself behind closed doors. Like, Blaine is clearly trying to keep it a secret, but we are pretty sure they are well, a they. A plural person."
"We are also pretty sure Blaine is fucking itself and no one else. We've never actually seen it, but we suspect that the group mind of Blaine spends all of their freetime sucking their weird, long swingy penis with their many mouths and mouth tentacles."
"Blaine has always been pretty narcissistic, but it really seems like growing extra personas may have taken his self-love to a very literal place."
"Although, with the amount of self-fucking we do, we probably shouldn't talk to much shit about Blaine, yeah?"
"Well, we do regularly sleep with a cowgirl-drumkit..."
"And most of the staff of the S&H..."
"And groupies..."
"So you're saying we have a healthy sex life?"
"Or just unhealthy in another way."
"Ha! We're a pair of regular sluts!"
"So yeah, that's the story of how we changed."
"And once we changed, Robin announced that we would be the bars houseband and our new name:"
"The Sex Monsters!"
"And everything else is rock and roll."
"Pff. Now who's the wanker?"
"Shit did you hear that drumming? That was Meg hammering out some morse code."
"What does she say? She says "We're all ready stop. Stop fucking around stop. The story isn't that long stop. You better have made me sound like a total badass stop."
"So yeah, we better get on stage."
"Hang around, see the show."
"Meet some people."
"Maybe find love."
"Or drink something life changing."
"It's totally rock and roll."
***
To see the band:
Rochelle and Bert: http://www.furaffinity.net/view/14799824/
Meg: http://www.furaffinity.net/view/14799953/
Tim: http://www.furaffinity.net/view/14800010/
Blaine: http://www.furaffinity.net/view/14800054/